Voices together, voices pure. Soprano, Alto, Tenor, Bass combine creating a singular sound that is mystically liquid, nourishing one’s drought stricken soul. This beauty, this passion flows, piercing hardened parched crust, invading dark crevices, lighting on seeds. The listener’s joy is now free to sprout, then to burst forth, a lush vibrant green. Free to reach […]
In studio recordings the whole should be better than the sum of its parts. Often listening to one isolated track is a disappointment – so much is missing; no support or context. There are certainly exceptions. Listen to this vocal-only track from Marvin Gaye’s “I Heard it Through the Grapevine.” What fantastic time, pitch and inflection. […]
I came home from a quick trip out of town late this evening to find the house filled with young musicians. My son, Mark, was rehearsing a string quartet for his upcoming recital. He had transcribed a piano accompaniment of G. Caccini’s version of “Ave Maria”. Mark will be singing Countertenor on this selection. Adding […]
Grammy nominee, Gregory Porter is a newer voice in jazz, with sounds deeply rooted in tradition. His combo is acoustic, straight-ahead and more than proficient, creating context and support for Gregory’s baritone voice. Very sincere and moving delivery. Very cool. Jazz News reports: “Blue Note Records and Universal Music Classics & Jazz have announced the […]
One of my “If you could only listen to 10 albums for the rest of your life” picks, John Coltrane and Johnny Hartman ranks up there at the top. Love Hartman’s tibre, love his swing, and love his subtle emotion. Rhythm section is a who’s who of Bop/Post-Bop jazz: Mccoy Tyner on piano, bassist Jimmy Garrison, […]
This article by John Stark regarding Harry Connick, Jr.’s coaching and comments during a recent episode of “American Idol” has sparked much discussion lately. Care to weigh-in? Please leave a comment.